We leapt into last month's top indie games with reckless abandon, and crowned it off with some we missed from January.
Samorost 3 review
There's plenty to trumpet about in a stellar and surprisingly lengthy third installment from Amanita Design.
This stylish exploration of blindness has a unique artistic vision but stumbles through an incoherent story and insubstantial gameplay.
The penultimate episode has a few eye-openers, but the series is still a prisoner of its underwhelming story arc.
Heaven’s Hope review
Falling just a little short of its desired heights, this enjoyable point-and-click angelic adventure does provide a little taste of heaven on earth.
Pulling no punches, this exploration of one family's courageous battle against terminal illness is a deeply moving experience.
The three-part Victorian era murder mystery eases into what looks to be a ripping good yarn to come.
Deponia Doomsday review
The surprise fourth installment will knock you for a loop in a time-traveling madcap adventure that's part-sequel, part-prequel.
Wadjet Eye's latest is another great slice of sci-fi worldbuilding, though the story doesn't shine as brightly as its unique post-apocalyptic setting.
Telltale's miniseries comes out fighting with a great new character, but doesn't breathe much new life into a familiar formula.
Downfall (2016) review
Reimagined in the style of The Cat Lady, Rem Michalski's first adventure is a brutally effective psychological horror with just a few reservations.
Though a light month for indie titles, we ventured through the looking glass and beyond to unearth the month's best.
FINAL DAY: With the undercard now complete, it's time for the title fight to see which games deliver the knock-out blows as best-in-class.
The slickly presented, narrative-driven horror story is effectively tuned into the authentic teenage experience
The Witness review
Jonathan Blow's ambitious open-world puzzler is a triumph of challenging gameplay, though any semblance of story gets lots in its abundant mazes.
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